{"id":26749,"date":"2026-03-27T19:51:34","date_gmt":"2026-03-27T18:51:34","guid":{"rendered":"https:\/\/www.agneselect.com\/uncategorized\/khaite-2026-fw\/"},"modified":"2026-03-29T21:12:12","modified_gmt":"2026-03-29T20:12:12","slug":"khaite-2026-fw","status":"publish","type":"post","link":"https:\/\/www.agneselect.com\/en\/fashion\/khaite-2026-fw\/","title":{"rendered":"Pearls Within the Oyster \u2014 Khaite Fall\/Winter 2026"},"content":{"rendered":"\t\t
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In her notes on the Fall\/Winter 2026 collection, Catherine Holstein (known as Cate) cited Orson Welles’ 1973 essay film\u00a0F for Fake<\/em>\u00a0as a source of inspiration \u2014 a work that circles obsessively around forgery, authenticity, and the question of who gets to decide what is real. One line from the film has stayed with me:\u00a0“There are lots of oysters, only a few pearls.”<\/em>\u00a0In today’s fashion landscape \u2014 saturated with brands performing old money, performing quiet luxury, performing restraint \u2014 the line feels almost uncomfortably precise. There are many oysters. The ones willing to develop their own fabrics, insist on the best materials, and obsess over the construction details no one will ever photograph remain rare. This season, Khaite is one of them.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A post shared by Council of Fashion Designers of America (@cfda)<\/a><\/p><\/div><\/blockquote>\n